Saturday, May 25, 2013

Inspiring Fungi 

Here are some more amazing finds of fungi that i have stumbled upon over the internet, breathtaking beautiful forms as an artist the shapes inspire me so much, the purity of how the forms are created are most spectacular take a look  . . .  . . . . 

I found this site called Mushroom-appreciation.com its all about how to enrich your life through the appreciation of mushrooms, the website is vary informative and has so much info that is shared and through useful information as well as stories told. Please take a look at the website it is a useful tool and vary interesting   
When I was looking through this website i found this amazing mushroom/fungi it is A close-up of a Berkeley's Polypore, apparently it is quite a large mushroom!

A close-up of a Berkeley's Polypore, quite a large mushroom!  
I find the shape that it creates just so beautiful like paper or fabric that has been ruffled. 
This is some other beautiful shapes and forms that Fungi have created. . . . 


this one taken from Renee Lebeuf i Stumbled across this on fliker she also shears the love for the beauti of fungi and mushrooms please take take some time to look through her beautiful imagery of finds. talented lady indeed http://www.flickr.com/photos/21189203@N05/






Plant Forms Found in my Garden

So yesterday it was a windy day but i thought to my self i need some natural inspiration so i went for a rummage around my garden to find some natural plant material that inspires me, some of the plants i found were weeds and also some were in the possess of dying for the change of season to summer. I find this change over inspiring and interesting, it represents life and that contentiousness rebirth of nature. here are some of the natural items that i found...... . .











Monday, May 20, 2013


Fantastic Fungi 

Whilst researching Fungi i stumbled across this magnificent piece of film and i felt it  had to be sheared with the world. 

An excerpt from the feature documentary by Louie Schwartzberg following notable mycologist, Paul Stamets, as he discusses the important role mushrooms play in the survival and health of the earth and human species.

All i can say is amazing !!!


Wednesday, May 15, 2013

Fungi 

I have always been inspired by Fungi and the shapes that different types of fungi can produce, how it grows and the colors that that can become.

I have been looking trough the internet for extreme fungi for inspiration for my sculpture ideas, fungi that look amazing and grow in to amazing shapes color and sizes, this is what i have found from the internet.

TarzettaCupularis.jpg

This was  found in Norway by this website and photographer Jens H. Petersen, the shapes of these fungi are amazing pods, vessel like, i so inspired by how they form and look, almost as if they had been made by an artist, from clay, ceramic like.  Beautiful Nature

LycoperdonPerlatum1.jpg






Monday, May 13, 2013



Land Art

Andy Goldsworthy 
A British sculpture, photographer and environmental work art work is site-specific for both natural and urban space.
The materials used in Andy Goldsworthy's art often include brightly coloured flowers, icicles, leaves, mud, pinecones, snow, stone, twigs, and thorns. He has been quoted as saying,
 
"I think it's incredibly brave to be working with flowers and leaves and petals. But I have to: I can't edit the materials I work with. My remit is to work with nature as a whole."
Andy Goldsworthy 

I have always been inspired by Goldsworthys work, and walking around the Dartmoor landscape, being inspired by the natural environment it is the artist Goldsworthy who i always think of and here are some reasons why. 

Andy Goldsworthy

Andy Goldsworthy: Fall Leaves

Andy Goldsworthy



Saturday, May 11, 2013

The Sublime

"The sublime:- Of such excellence or beauty as to inspire great admiration or awe."

To Me Dartmoor is Sublime, full of inspiration of Natural Beauty and life.
Nature 

The Natural World 
Mother Nature to me is the most Important of all that inspires, to reconnect to nature is to reconnect with oneself  our family's or communities and with our living planet.

My World
Our world might be billions of years old and we only a small significant to its exisistance, yet as a world that lives and evolves it really is not too big for human beings to live in without making a conscious adjustments, to be kind to our environment, to understand it, and to find a way to live in harmony with it.






Robert Smithson 
Artist, Earthwork artist, Land and Environmental Art

This piece of work by Smithson has always captured my imagination. "The Glue Pour"
A Bucket of glue was poured down a slope of soil and gravel. As the Glue traveled down the slope seeping in to its contours, loose soil  was dragged with it. Forces of the natural environment  forces of the man made and natural combining together.







To Visit the website of Robert Smithson
Land and Environmental Art 


"The Traditional landscape genre was radically transform in the 1960's when many artist stopped merely representing the land and made their mark directly in the environment, reflecting the counter cultural impulses of the that decade, artist rejected the gallery as a form and the art world as an economic system" 

"Interruption, projects that conjoin the environment and human activity by employing non-indigenous man made materials ranging from aspnlt or glue to a row of Cadillac  the works are expanded to match the large scale of the environment its self they use manufactured substances and structures or machines and technology  to frame, set in motion or harness natural elements reneging from coastlines to forked lighting."

"The artists place an increasing emphasis on the transgresive qualities of the activity, questioning the definition of what is "Natural" ... . . . ."

Artist that work  in this way that i am inspired by have made such an impact on art today, artist such as, Christo and Jeanne-Claude and Richard long.


"What is Natural"



Books of  Inspiration



The traditional landscape genre was radically transformed in the 1960s when many artists stopped merely representing the land and made their mark directly in the environment. Drawn by the vast uncultivated spaces of the desert and mountain as well as post-industrial wastelands, artists such as Michael Heizer, Nancy Holt or Robert Smithson moved the earth to create colossal primal symbols. Others punctuated the horizon with man-made signposts, such as Christo's Running Fence or Walter de Maria's Lightning Field. Journeys became works of art for Richard Long whilst Dennis Oppenheim and Ana Mendieta immersed their bodies in the contours of the land. This book traces early developments to the present day, where artists are exploring eco-systems and the interface between industrial, urban and rural cultures. Alongside stunning photographs, sketches and project notes, Kastner compiles an invaluable archive of statements by all the featured artists alongside related texts by art historians, critics, philosophers and cultural theorists including Jean Baudrillard, Edmund Burke, Guy Debord, Michael Fried, Dave Hickey, Lucy R. Lippard, Thomas McEvilley, Carolyn Merchant and Simon Schama

Taken from Amazon;-

http://www.amazon.co.uk/Land-Environmental-Art-Themes-Movements/dp/0714845191



 In the mid-60s, artists in the USA and Europe began planning works for sites outside the narrow boundaries of galleries and museums. It began with ephemeral enhancements or traces left in deserted landscapes, in the deserts of America, or in the moors of Scotland. Following this were spectacular earthen sculptures of gigantic proportions, some of which are still in the process of completion today. One distinguishing feature of "Land Art" is its critical preoccupation with the tradition of sculpture. Sculpture can now be an earthwork excavation, a field of metal poles, a buried hut, a trace in the grass, or even a book. Another of the movement's special characteristics is its emphasis on site-specific, outdoor works intended to lastingly alter our perception of places, and to set new parameters in art production and reception. About "Taschen's Basic Art" movement and genre series: Each book includes a detailed introduction with approximately 35 photographs, plus a timeline of the most important events (political, cultural, scientific, etc.) that took place during the time period. The body of the book contains a selection of the most important works of the epoch; each is presented on a 2-page spread with a full-page image and, on the facing page, a description/interpretation of the work, a reference work, portrait of the artist, quotes, and biographical information.

Taken from Amazon



Time, always a crucial element in the work of Andy Goldsworthy both as a medium and as a metaphor is celebrated in this book, newly available in paperback. An introduction by the artist conveys the importance to him of time, change and place. A sequence of works made around his home in Scotland often shown in series recording their gradual disappearance or transformation is followed by Goldsworthys diaries of visits to five locations in North America and Europe, vividly evoking, in text and pictures, the process of exploration and response to each place.With a detailed chronology by Dr Terry Friedman, this volume is an invaluable source of reference on Andy Goldsworthy and his compelling, sensitive work.
Taken from Amazon

Heathercombe 
Heathercombe is a tranquil valley 1,00 feet up on Dartmmor

The Heathercombe estate is run by the Claude and Margaret Pike Woodlands Trust, a registered  charity, whose purpose is to conserve the special environment of Heathercombe. This includes woodland gardens an arboretum, South Heathercombe and extended forestry plantations.

The High Heathercombe Center, adjoining the open moor and surrounding woodlands, is run on charitable basis by the High Hethercombe Trust, offering a wide range of people access to experience the beautiful Dartmoor Landscape.

Gardens 


The woodland and cottage gardens extend over 30 acres and include hundreds of well-labelled specimen trees and shrubs, including 100 varieties of rhododendron, and over 1½ miles of woodland walks and paths. In recent years the gardens have been extended and now include the cottage garden, orchard and wild flower meadow.

 

Please do go to the website link to take full advantage of the photos and information on there showing off the beautiful gardens, the website also has much more information on all that Heathercombe has to offer. 

In 2013 Heathercombe Gardens will be open in aid of the National Garden Scheme charities and Rowcroft Hospice on the following dates between 1.30 and 5.30 pm :
April
Sunday 7th 
May
Sunday 12th
Sunday 19th
Saturday 25th and
Sunday 26th
June
Sunday 2nd 
Sunday 23rd
Sunday 30th 
We also intend to open on other dates in 2013 for various events, including the bi-annual EDGE Sculpture Trail in Fairy Wood and the Wayside Gallery from 7th to 29th September.
We welcome other visits by prior arrangement.
The proceeds of these openings, including the entry charge of £4.50 per adult (£4.00 in April) - children free - are donated to the National Gardens Scheme and Rowcroft Hospice
to arrange a visit or for more information :-
For more information please contact John and Svetlana Pike:
By phone on 01626-354404 or 01647-221222
By e-mail to gardens@pike.me.uk


Sunday, May 5, 2013

Edge 2013

Here is the exhibition Brief and write up taken from the website For Heathercombe wrote by  Mel Bambury of High Heathercombe. Please do take a look at the website for full details of all that they do. http://www.highheathercombecentre.org.uk/
also the grounds of Heathercombe and past events at;-


ARTIST BRIEF AND SUBMISSION 2013
The Heathercombe EDGE Sculpture Trail is an annual arts event sited in the beautiful Fairy Wood at 
Heathercombe Woodlands, Manaton, Dartmoor.
 The EDGE is run in partnership between the High Heathercombe Trust 
and the Heathercombe Woodlands Trust. 
WE ARE NOW INVITING INDIVIDUAL ARTISTS AND GROUPS TO SUBMIT PROPOSALS 
FOR EDGE 2013.
THE THEME FOR THIS YEAR’S EDGE EXHIBITION IS 'ONE'


The roots of art have always been deeply embedded in exploring ways of seeing, and how we as a culture
describe what we see. The EDGE is about reconnecting ourselves to the living web of life that we are one
with. It is about looking again at the extraordinary beauty of the complex systems within which we exist, and
re-grounding ourselves deep in the rich and very old earth that is our home.
So what does ONE mean to us? How do we experience ourselves as individuals and as a culture at this time?
What are the things that many of us take for granted or don't hold up for question in those definitions of self
that regulate our actions, our relationships and our impact on the planet?
In December 1968 humanity had access to the first images of the Earth from space, the Earth as a whole.
'We are among the first in human history to have had this remarkable view. It came at the same time as the
development in science of a radical new understanding of how our world works. Looking at our planet as a
whole, Gaia theory proposes that the Earth functions as a self-regulating living system.
During the past forty years, those Earth photos, along with Gaia theory and environmental challenges have provoked the emergence of a new way of thinking about ourselves. No longer just citizens of this country or that, we are discovering a deeper collective identity.
A shift of consciousness is taking place, as we move into a larger landscape of what we are.'
(Macy and Johnstone - Active Hope)
It is this larger landscape of self and interconnection that this year's theme is inviting us to explore.
Over the past 18 months we have held numerous courses and events at the High Heathercombe Centre. What strikes me, as I look back over this time, is the humbling and joyful community growing around the centre.   People come to Heathercombe in many ways, for courses, volunteering and group work. Many come back time and time again, to support the evolving vision, relationships and on-going work here, and often express that a deep sense of belonging and community is part of what brings them back. I believe that it makes us hopeful, creative and more courageous when we experience ourselves as belonging or contributing to something bigger. It extends our sense of self and that to which we belong, that larger landscape of what we are.

'When we perceive our deeper identity as an ecological self that includes not just us but also 
all life on earth, then acting for the sake of our world doesn't seem like a sacrifice.
 It seems a natural thing to do.' Arne Naess


Community has become an overused word in our media and has begun to ring hollow for a lot of people.
However it is a powerful, hopeful word when spoken from the heart, from a desire for change and to create
real resilience. 'We can think of community as having different levels. Each progressively widens our sense of what we belong to, what we receive from, and what we act for. These levels are: groups we feel at home in, the wider community around us, the global community of humanity and the Earth community of life…
The process of building community is self-reinforcing since not only does it contribute to the healing of our
world, but it also enhances the quality of our lives.' (Macy and Johnstone - Active Hope)
In our culture of bigger, and ever faster industrial growth economy, our lives have speeded up, and our time to reflect, observe and 're-member' ourselves gets lost in the demands of business and busyness.
In order to reframe this predominant and erroneous sense of isolation it is imperative that we claw back time in our hectic lives for reconnection, with ourselves, our families, our communities and with the whole living planet.
Having become distanced from that deep and simple connection with the nature of all life, many people are
beginning to perceive themselves as increasingly alienated, separate and afraid. In that paradigm of
separateness we do not hold ourselves accountable in the short-term time spans that the present economic
growth-at-any-cost model dictates.
As a culture, we do not feel ourselves to be accountable to the whole or to the future.
The birth of our planet is currently dated by scientists to about 4.54 billion years ago, and modern humans
(homo sapiens) to approximately 200,000 years ago. Our presence in the grand evolutionary picture is minute
by comparison, however our footprints on the planet we call home are not.
So how do we as a community, and as individuals, fall back in love with life? The whole of life.
How do we, as Paul Kingsnorth describes, become those who 'loved the land, in their hearts as well as their
heads.'
What experiences enable us to touch that deeper connection and wider sense of self? There are choices we
can make that create space and time for deeper connection, for finding ways of re-enchanting our daily lives,
and as artists and makers we can offer experiences to others that create new paths.
Thomas Moore says, 'enchantment offers us experiences that' swell the heart and stretch the limits of belief
and understanding. An enchanted world is one that speaks to the soul, to the mysterious depths of the heart
and imagination where we find value, love and union with the world around us.'
If we can shift our gaze to look through a more ecocentric lense, then we see ourselves as part of the whole,
within it and of it.
From that place of belonging we can re-enchant our journeys, our decisions and our futures.
We can create new stories that move us beyond the business-as-usual model, to a place where
our creativity and the real wealth of our imagination and intelligence can be focused in meaningful ways
towards a more holistic paradigm and future.




'In such a moment, writers, artists, poets and storytellers of all kinds have a critical role to play. 
Creativity remains the most uncontrollable of human forces: without it, the project of civilisation is 
inconceivable, yet no part of life remains so untamed and undomesticated. Words and images can 
change minds, hearts, even the course of history. Their makers shape the stories people carry through 
their lives, unearth old ones and breathe them back to life, add new twists, point to unexpected 
endings. It is time to pick up the threads and make the stories new, as they must always be made new, 
starting from where we are.' (From the Dark Mountain Manifesto)


This year's EDGE is an invitation. To reconnect and to explore the wider 'landscape of what we are' in
the context of ONE, the magnificent, mysterious, living, breathing whole.
Mel Bambury High Heathercombe 2013


For EDGE 2013
The EDGE Exhibition represents work from all parts of the community, with professional artists showing alongside work made by a range community groups, producing a rich and diverse creative experience for both participants and visitors.
During the Sculpture Exhibition the wider Heathercombe gardens and woodlands will be open to the public,
offering the opportunity to explore the beautiful Heathercombe ‘EDGE’ of moors and woodlands.
 South Heathercombe tearooms will be open, offering refreshments throughout the event.


SEE THE PREVIOUS EXHIBITIONS PAGE ON THE WEBSITE
www.heathercombe.com







DATES
EDGE opens SATURDAY 7TH SEPTEMBER and closes SUNDAY 29TH SEPTEMBER 2013

http://www.highheathercombecentre.org.uk/docs-pdfs/EDGE-artists-brief-2013.pdf


Wednesday, May 1, 2013

"One"


"Integrity is the wholeness, the greatest beauty is organic wholeness, the wholeness of life and things the divine beauty of the universe"

this is a quote taken from the brief I am working on for Edge "one"  a Quote from Robinson Jeffers the Answer.



"One" is a Brief for a sculpture trail "Edge" which takes place once a year on Dartmoor at Heathercombe Woodlandtrust.
the annual event is situated in the beautiful Fairy Woods at Heathercombe Woodland's, a beautifully and inspiring place to visit and perfect for artist  to make work for and have an exhibition in the space.
Please do visit the website for much more of a view at past events and to see just how beautifull the grounds are that the exhibition will be showcaseing on.



The exhibition will showcase from the 7th September from the 29th of September Tuesdays to Sundays from 11am to 5.30pm and closed every Monday.